Impermanence Gustavo Santaolalla’s most underrated score is from the 2013 film August: Osage County – a 2013 American comedy-drama film that tells the story of a dysfunctional family that reunites into the familial house when their patriarch suddenly disappears. While the movie had mixed reviews, […]

Codex Codex (The King of Limbs 2011) is one of my favorite Radiohead songs. I’m surprised it’s not used in more film soundtracks. This arrangement is heavily derived from the Westworld (Season 2) variation where composer Ramin Djawadi performs the song with delicate and sparse […]

Prospector Arrives In the American classic, There Will be Blood — a ruthless oil prospector, Daniel Plainview (Daniel Day-Lewis) moves to oil-rich California. Using his adopted son HW to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for […]

A Game of Croquet A Game of Croquet is one of Johann Johannsson’s best pieces from his Golden Globe winning score for, The Theory of Everything. The piano arpeggios of Croquet did not lend themselves well to the guitar. However, the overall chord progression did. […]

The American The American is a 2010 thriller film directed by Anton Corbijn and starring George Clooney. The screenplay is an adaptation of the 1990 novel, A Very Private Gentleman, by Martin Booth. The American is my favorite movie of all time. Director Anton Corbijn, […]

Brokeback Mountain Gustavo Santaolalla’s score for Brokeback Mountain is a masterpiece of cinematic music. It perfectly complements the film’s poignant and tragic love story. By using sparse, two-note intervals, Santaolalla lets the guitar’s resonance to all of the work — capturing the isolation, and longing […]