Handprint
Twenty-year-old Kane Parsons is having a moment. His found-footage Backrooms short — made at home when he was 16 — pulled in tens of millions of views on YouTube and somehow turned into a real A24 feature. The film just became A24’s first movie to cross $100 million domestically.
Parsons also co-scored Backrooms alongside composer Edo Van Breemen. The soundtrack is atmospheric, synth-driven and patient. I really love the opening theme “Handprint”. It’s kind of Stranger Things-ish, and it worked out beautifully for fingerstyle guitar.
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