I Suppose We Could Go Anywhere I’m consistently amazed at how HBO knocks it out of the park — specifically with the Game of Thrones universe. A Knight of the Seven Kingdoms was a slightly upbeat departure in tone, but still carried all the shock […]
Read more ›
“Seattle Arrival” Big thanks to Sam, one of my readers who clued me into this track. I’m a Gustavo Santaolalla superfan — but I’m not a gamer, so I had no idea this song existed. It’s an untitled and unreleased track from The Last of […]
Read more ›
Together Again The BBC/Hulu limited series Normal People has been recommended to me for years. I’ve always loved the music, and I was deeply familiar with the minimalist piano soundtrack by Irish composer Stephen Rennicks long before I actually watched the show. Having just finished […]
Read more ›
What Do You Know? I’ve seen Alex Garland’s Annihilation a few times now. If you haven’t watched it, it’s a beautiful, unsettling science fiction trip. Starring Natalie Portman and directed by Garland (Ex Machina), the film follows a biologist into “The Shimmer”—a mysterious zone where […]
Read more ›
The Luck Is Ours Alone While Game of Thrones and House of the Dragon focus on the high-stakes maneuvering of kings, queens, and Great Houses—A Knight of the Seven Kingdoms offers a refreshing, more intimate look at George R.R. Martin’s world. Based on the Tales […]
Read more ›
Can’t Help falling in Love Elvis Presley’s performance of “Unchained Melody” — recorded just weeks before he passed — is one of the greatest moments in American Rock & Roll history. I eventually arranged that piece myself. Not quite as dramatic as Elvis, but his […]
Read more ›
Your Choices, Your Actions This sentimental, acoustic-driven song accompanies a scene in the latest Superman movie where Clark expresses fear that he was sent to Earth to “hurt people,” based on a message from his biological parents. Pa Kent counters this with a quietly powerful […]
Read more ›
Chains of Love I love the concept of the Wuthering Heights soundtrack; pairing the hyperpop energy of Charli xcx with a romantic period piece is an inspired choice. It’s a fascinating departure for Charli xcx, whose typical sound is up-tempo and experimental, rather than the […]
Read more ›
ocean eyes I’m still struck by the artistry of Billie Eilish’s debut, “dont smile at me”. She brought such a dark and unique sound to pop music—and remarkably, she was only 15 when it was first released. Beyond the music, I loved her unconventional “orthography” […]
Read more ›
Variation 15 (Dunkirk) While Hans Zimmer served as the principal composer for Dunkirk, the score’s soft, ambient, and melodic textures were crafted by Benjamin Wallfisch and inspired by Sir Edward Elgar (1857–1934). The film’s most poignant theme is a reimagining of Elgar’s “Nimrod” from his […]
Read more ›
[no spoilers] The Bone Temple Hildur Guðnadóttir is a cellist and composer who has become a leading figure in post-classical and film music. She represents a bit of a funny paradox: she is a beautiful, cheerful Icelandic woman who is best known for creating unrelenting, […]
Read more ›
Brooklyn Baby Lana Del Rey’s “Brooklyn Baby” (Ultraviolence, 2014) is a satirical nod to Brooklyn’s hipster subculture. Produced by Dan Auerbach, it perfectly captures the “California-noir” and psychedelic rock vibe of that era. There is a bittersweet story behind the track: Lana had planned to […]
Read more ›