Paint It Black (iconic riff starts at 0:23) While playing around with the Paint It Black riff — my guitar (with a mind of it’s own) — decided to toss in The Night King by Ramin Djawadi, and a little bit of the James Bond […]
Read more ›Paint It Black (iconic riff starts at 0:23) While playing around with the Paint It Black riff — my guitar (with a mind of it’s own) — decided to toss in The Night King by Ramin Djawadi, and a little bit of the James Bond […]
Read more ›The Choice Although I haven’t played The Last of Us game, I think the HBO series is amazing. The Choice has long been one of my favorite pieces of music by composer, Gustavo Santaolalla. He truly has a knack for the “major lift” which is […]
Read more ›No Time for Caution This music is from one of the more intense scenes of Christopher Nolan’s Interstellar — as they attempt a perilous docking maneuver that is incredibly intricate and fraught with danger. The Endurance and Endurance B (piloted by Cooper and Dr. Brand) […]
Read more ›Finding the Master “At first the music almost repelled me, it was so intense, and this man (Robert Johnson) made no attempt to sugarcoat what he was trying to say, or play. It was hard-core, more than anything I had ever heard. After a few […]
Read more ›Young and Beautiful The Great Gatsby is a film based on the 1925 novel of the same name. The film follows the life and times of millionaire, Jay Gatsby (Leonardo DiCaprio) and his neighbor, Nick Carraway. A decade later, a classic image from the film […]
Read more ›In the House – In a Heartbeat This song is the title track of both 28 Days, and 28 Weeks Later. It’s a gnarly and dread-filled chord progression by composer, John Murphy. The piece has since been used in other television and film works. 28 […]
Read more ›Anne with an E Anne with an E is a Canadian historical drama series for Netflix. The series is an adaptation of the novel, Anne of Green Gables. Set in the late 1890s on Prince Edward island, Anne with an E is a coming-of-age story about a 13-year-old […]
Read more ›Mad World Although written by Tears for Fears, I based my version of Mad World on the stripped down Michael Andrews & Gary Jules performance from 2001’s Donnie Darko. To me, the song is haunting and sort of eerie –as it delves into themes of […]
Read more ›On the Nature of Daylight Post-minimalism — or neo-classical, depending on who you ask — is a genre of contemporary music that sits somewhere between classical and electronic. It’s slower, more emotive, and deliberately cinematic. The composers who’ve mastered it have found a natural home […]
Read more ›Where’s my Love SYML is the solo venture of Brian Fennell, who was previously part of the indie band Barcelona. His music and singing voice are incredible. I love this song, and just about everything SYML does. For a love song, Where’s My Love, has […]
Read more ›Interstellar This must be Hans Zimmer’s greatest complete score. While The Dark Knight, and Gladiator have their selections — the entire score of Interstellar is wondrous and immensely listenable. The central theme of Interstellar has a few iterations within the soundtrack. My fingerstyle version is […]
Read more ›No Time To Die There’s some smart and slick musicality with No Time To Die. It’s like a computer algorithm generated the theme — combining the cultural zeitgeist of Billie Eilish with the last 25 Bond themes. In addition, I recently re-watched the film. Upon […]
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