The Mandalorian and Grogu This is essentially a reprise of my 2019 arrangement of The Mandalorian Theme — one of my all-time favorite pieces to play. I loved the show, and I’m genuinely excited for the film adaptation, The Mandalorian & Grogu, especially with the […]

The O.G. of cinematic guitar Gustavo Santaolalla had already built an impressive résumé — Amores Perros, 21 Grams, The Motorcycle Diaries (an astonishing soundtrack) — but it was 2005’s Brokeback Mountain where his cinematic sound truly took flight: minimalist guitar, expansive reverb, and open space […]

A Real Hero Drive (2011) was a great movie — artful in the way it introduced an 80s aesthetic while still being set in the present day. The soundtrack was excellent, punctuated with synthwave (or retrowave) producers like College, Kavinsky, and Desire. Music built around […]

Left Behind (The Journey) I’ve always loved this piece, originally titled “Left Behind (Together)” from The Last of Us Vol. 2 — which is actually the soundtrack for the Left Behind DLC  (the first game’s expansion). I’m not a gamer, and in case you’re not […]

What Do You Know? I’ve seen Alex Garland’s Annihilation a few times now. If you haven’t watched it, it’s a beautiful, unsettling science fiction trip. Starring Natalie Portman and directed by Garland (Ex Machina), the film follows a biologist into “The Shimmer”—a mysterious zone where […]

Leaving the Reach A Game of Thrones spinoff has a new composer! Welcome, Dan Romer — you are totally awesome. The soundtrack for A Knight of the Seven Kingdoms is inextricable from the show. The music feels like a hidden character or bard lending unspoken […]

I Love You Too Much The Book of Life (2014) is a visually stunning tribute to Mexican culture and the traditions of Día de los Muertos. Produced by Guillermo del Toro, the film uses a striking “wooden doll” animation style, giving the characters the charm […]

ocean eyes I’m still struck by the artistry of Billie Eilish’s debut, “dont smile at me”. She brought such a dark and unique sound to pop music—and remarkably, she was only 15 when it was first released. Beyond the music, I loved her unconventional “orthography” […]

Variation 15 (Dunkirk) While Hans Zimmer served as the principal composer for Dunkirk, the score’s soft, ambient, and melodic textures were crafted by Benjamin Wallfisch and inspired by Sir Edward Elgar (1857–1934). The film’s most poignant theme is a reimagining of Elgar’s “Nimrod” from his […]

Brooklyn Baby Lana Del Rey’s “Brooklyn Baby” (Ultraviolence, 2014) is a satirical nod to Brooklyn’s hipster subculture. Produced by Dan Auerbach, it perfectly captures the “California-noir” and psychedelic rock vibe of that era. There is a bittersweet story behind the track: Lana had planned to […]

The Polar Express Released in 2004, The Polar Express tells the story of a young boy who doubts the existence of Santa Claus. On Christmas Eve, he embarks on a magical journey to the North Pole aboard a train called the Polar Express, learning about […]

Midsummers (Acoustic) This song has a great, accidental backstory. For years, fans of the Netflix series Outer Banks believed the pivotal guitar motif from Season 1, Episode 5 was my arrangement of “Lion” by Dustin O’Halloran. It was a case of mistaken identity—the motif was […]